You can set loop length anywhere up to 32 bars, cue up individual arp patterns for three of the tracks (say drums, guitar, and clav), and then play the bass part live while the other three parts go to town. Live performances are exceptionally fun, thanks to the 4-track sequencer and arpeggiator.

With one of these running, you can pop over to the full keyboard review, press B, and then load a second instrument that you can play or record over the first. The Funk presets were especially fun with the Nice Clav sound.

The two acoustic guitar presets sounded overly fake, though, and while messing with an otherwise full sounding vocal pad that you can alter with the mod wheel, I heard pops and clicks.Īrpeggiator, Recording, and Conclusions Each group of sounds comes with an appropriate list of arpeggiator presets, with useful backdrops like piano and guitar chords and note sequences, and various drum rhythms. The drums sounded crisp and clean, the electric basses were exceptionally warm and fat sounding, and the various synth pad textures were thick and lovely. You can also lock the keyboard from scrolling back and forth-a must if you're playing anything involving actual exertion-and view a separate two-tier keyboard mode or an Akai drum machine-like pad view.įor the most part, the built-in sounds were fun to play. A set of knobs across the middle of the screen let you adjust volume, pan, several synthesizer parameters like filter cutoff, resonance, attack, and release, a transpose dial, and adjustments for the built-in delay, flange, and three-position reverb with level and time settings. A keyboard runs across the bottom of the screen. There are separate sections for the instrument categories, the specific instruments in each one, the arpeggiator patterns (more on these later).

Otherwise, the main interface, while packed with stuff, is pretty easy to navigate.

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